There are few studies more fascinating, and at the same time more neglected, than those of the teeming populations that exist in the dark realms of the soil. We know too little of the threads that bind the soil organisms to each other and to their world, and to the world above.
– Rachel Carson, Silent Spring, 1962.
More than half a century after she wrote this, scientists from all over the world humbly admit that nearly 70-80 per cent of the micro-organisms in the soil have not yet been even identified. It is simply beyond human comprehension to fathom the mysterious realms and marvellous abundance that exists in the soil—“the living skin of the earth”. Because what we know is infinitely insignificant as against what exists right beneath our feet. Just 30-40 inches, to be precise. Continue reading
Great writers can bring a story alive. But it takes great actors to help us see the truth in a different light. I wonder if things would have been what they are if Christoph Waltz hadn’t played Col. Hans Landa, the sly Jew hunter in Inglourious Basterds, and the antebellum bounty hunter Dr King Schultz in Django Unchained. Continue reading
A script freshly out of the oven, albeit peppered with its own set of stereotypes. A beautiful cast spearheaded by an actor with gigantic acting prowess. The coming-together of a debutant director and a comeback superstar…
English Vinglish was set for an all-out success when Gauri Shinde’s keen observation of her mother’s predicament of being a non-English speaking woman began to verbalise itself. It seems the rest was all bound to happen: Gauri’s meeting with Sridevi, the latter falling in love with the script and the resounding success that should shame half-baked, dim-witted multi-crore and multi-starred melodramas into submission. Continue reading
Any creature—small or big, visible or invisible—that threatens human life (read, the ‘First World’ humans) has to die a spectacular death in full public view. Anything else is insulting to the mighty weapons the ‘First World’ possesses. Continue reading
There’s a scene in ‘Bangarada Manushya’ in which a grief-stricken Rajeeva (Dr Raj) refuses to move away from the smouldering pyre of his wife Lakshmi (Bharathi). When his well-wisher Rachotappa (Balakrishna) tries consoling him, Rajeeva breaks down pointing at the ashes—hitherto a life that meant everything to him. Continue reading
Long back, when Malaika Arora returned to work after her first delivery with an item number, a news channel went berserk debating a teeny-weeny stretch mark on her belly. It kept on zooming in on the almost unnoticeable line over and again. A ‘dismayed’ newscaster criticised the falling standards of Bollywood—a world where item girls and marriage cannot inhabit one sphere, much less stretch marks.
All of us know that Bollywood masala can’t do without two main spices: youth and beauty. No wonder we see Sridevi and Madhuri Dixit—two storehouses of talent that our Bollywood directors failed to exploit to the fullest—appearing in soaps, fabric conditioners, dishwashing solutions and basmati rice ads. Continue reading
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November 16, 2011 clearly defined what it means to be born in the First Family of Bollywood.
First, it begins with obsessive speculation and gossip in the media. Every movement of the pregnant star Aishwarya Rai Bachchan is watched with bated breath. An unheard-of security ring thrown around the Seven Hills Hospital makes sure that the disheartened paparazzi’s desperate attempts capture only a few glimpses of the star walking into the hospital. Discussions on whether it’s going to be a baby girl or a boy or twins leave you wondering whether this modern-day fairytale has just begun! Continue reading
It was just another lunch break on a sunny afternoon. The moment I entered home with my schoolbag slung around the shoulders, I saw my mother and sisters glued to the radio set. The fatal accident that killed Shankar Nag on the spot near Davanagere was on the national news bulletin. All were stunned. I struggled hard to hold back my tears, in vain. Continue reading